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Competency B

Organizational Settings

Describe and compare different organizational settings in which information professionals practice.

The Long Room in The Old Library, Trinity College, Dublin, Ireland

“Special libraries offer unique opportunities to work in places such as corporations, hospitals, museums, law firms, advertising agencies, professional associations, private businesses & the government.”

– American Library Association, Library Careers

Evidence

INFO 220 – Academic Libraries & Fine Arts

This class discussion allowed me to delve deeper into the responsibilities of academic librarianship and better understand how college and university campuses support the needs of art information users. This exercise taught me that these users are not usually prioritized and sometimes grouped with humanities students. Funding can be an obstacle for academic libraries, leading to understaffing. One way this obstacle can be overcome is by implementing the liaison librarian model. These librarians serve as liaisons between the library and a specific academic department while providing instruction and research assistance. Temple University provides a real-world example of this, since they have no percentage allocation for the librarian’s job responsibilities, giving them the flexibility they need to fulfill the always-evolving liaison areas (ARLIS/NA, 2019). This solution not only helps keep the library within the institutional budget but also allows librarians to serve unique information communities. 

Academic librarianship responsibilities and tasks can vary from institution to institution, depending on funding and the needs and mission of the parent organization. Being aware of the challenges faced by an academic library can aid in better serving the students and improving operations. By keeping an open mind and expanding expertise to include skills not commonly found in a library setting, more opportunities will be made available. 

INFO 204 – Museum Librarianship

This class discussion prompted me to further explore my career path, which led me to analyze museum libraries and their place in the library world. Though commonly falling under the special libraries category, museum libraries are unique. These libraries share a common goal with the parent institution to educate the public and encourage interaction from the surrounding community. Copyright and intellectual rights are some of the challenges commonly faced, particularly when working with online digital collections. This is one reason the WorldCat program is not used since those who work in this information setting strive to protect the privacy of donors and artists while abiding by copyright laws.  

Becoming familiar with copyright and intellectual rights can assist in avoiding legal complications. Another important responsibility of museums is to preserve collections and artifacts, often collaborating with historians, curators, educators, and conservators. Patrons of museum libraries are very specific and vary from academic libraries, serving not only students, but researchers, scholars, and artists. Research is usually conducted in person since collections are non-circulating. Depending on certain factors such as funding, copyright, and staffing at the institution, items may not be available to view online.

INFO 256 – Interview with an Archivist

On September 6, 2020, I had the opportunity to chat with the curator of the special collections and archives at the University of Denver. In addition to this, she works at the community archives and is also an associate professor who teaches 40 archive-related classes a year. She directly supervises three full-time archivists who work with two graduate student assistants. The University of Denver has an astounding two million physical volumes and almost three million electronic items. Though this archivist has various responsibilities, her main task is to curate materials for the institution. The institution has multiple collecting areas, so she spends a lot of time talking to donors, meeting with them, and examining materials. She pointed out that some of the permanent records in the collections are stored elsewhere since the university doesn’t own them. When I asked what archivists do, she told me that the simple answer was that librarians deal with published items and archivists deal with unpublished items. 

I also inquired what her definition of a curator is. She compared archive curators to museum curators. She stated that museum curators are “interpreters of content”, and that they don’t necessarily focus on acquisition. Whereas appraisal of materials is a huge part of curating in an archive. Those who curate in an archive setting are likened to custodians or guardians rather than authoritative figures. Like museum libraries, archives need to advocate for the collections so the general public and stakeholders understand their value.

Conclusion

In conclusion, knowing the difference between the organizational settings prepares me for what responsibilities and tasks will potentially be expected of me. It also will help me decide what setting I would enjoy working in, according to my knowledge and skill set. Whether that be a fast-paced academic library focused on serving the students, a museum library that educates patrons, facilitates research, and collaborates to preserve artifacts, or an archive that strives for preservation, access, and diversity.       

Introduction

According to Bedord (2018), job titles can be a “moving target” in most information environments and the same title at one institution could signify vastly different responsibilities at a different institution. Before starting my library and information science journey, I had the mindset that librarians worked strictly in a public setting. I soon discovered that the possibilities are endless! I initially was drawn to special libraries and have been a part of the Special Libraries Association Student Chapter (SLASC) leadership for most of my time at SJSU. Though I chose the Archival Studies and Records Management pathway, I have been intent on keeping an open mind, exploring all of the routes, and seeing where this journey takes me. 

Academic Libraries

Academic libraries are the core of higher education institutions and provide services to students, faculty, and the surrounding communities (Bedord, 2018). These libraries face unique challenges regarding collection management, vendors, stakeholders, and publishers. Academic librarians strive to provide a vast range of students with access to a wide breadth of materials while supporting the faculty with deep research in their fields, in addition to building a useful collection that ages gracefully (Costello, 2017).

Reference services also play a huge role in serving the student population. The COVID-19 pandemic caused a huge shift in reference services and a lot of students have continued to utilize online resources. Online chat and virtual appointments have become the main form of communication with reference librarians. Another important role in an academic library is instruction. Instruction librarians teach effective search techniques for catalogs and databases, including searching for primary and secondary sources using finding aids for rare and special collections (Hirsh, 2022). These courses are usually directed at incoming freshmen and focus on developing good research and citation habits. Some academic librarians take on many different responsibilities outside of library and information science including (but not limited to) being a professor, website development, database management, and grant administration.  

Museum Libraries 

Unlike academic libraries which have circulating collections, museum collections are partially if not completely non-circulating and cannot be borrowed or checked out. Some institutions such as the Getty Research Institute, require researchers, students, and scholars to apply for a research pass to access certain artifacts and information. Museum libraries are similar to academic libraries in the way that they also support and supplement their parent organization. An interesting ongoing debate pertains to whether a museum library is considered to be a special library. When referenced in a textbook sense, museum libraries are found within the special libraries classification, even though most consider them to be cross-disciplinary and cross-institutional (Kazmierczak, 2019). Some responsibilities of a museum librarian include facilitating research, creating exhibitions, managing collections, and preservation. Many collections are now hybrid (physical and digital), due to digitization and the internet, and these materials require special care and maintenance.     

A lot of museums do not have libraries due to a lack of funding, in addition to the American Alliance of Museums (AAM), which does not consider them to be essential (Kazmierczak, 2019). Another challenge comes with living in a digital age, where patrons have come to expect fast, accurate, and relevant answers to their inquiries. 

Archives 

In the past, archivists and curators have worked in universities, museums, and historical societies, however, archival materials have become more complex and increasingly digital (Bedord, 2018). Though related to and sometimes working in tandem with libraries, responsibilities, and tasks in this information setting vary greatly. Archives exist to make their collections available to people but differ from libraries in both the types of materials they hold, and the way materials are accessed (Society of American Archivists, 2023). Much like museum libraries, materials are non-circulating and cannot be borrowed or checked out. Institutions such as these have reading rooms, where materials can be viewed and handled while being monitored. 

Preservation is one of the most important responsibilities of archivists since most archival collections contain rare and unique materials that require special care and conservation. Other responsibilities of an archive are marketing, outreach, and promoting the collection. Most reading rooms have limited hours and utilizing social media can not only help archivists understand the audience but market to them as well. Providing hours of operation, reading room protocols, and location can reduce any anxiety a patron might have before visiting. Finding aids, or online records are vital to accessing materials and increasing the visibility of the collection. Outreach efforts can include providing programs for the surrounding community and working with marginalized communities represented in the collection to ensure the accuracy of the information provided. Reference interviews can be more intense than in academic settings, sometimes requiring long sessions and multiple visits with patrons.   

References

ARLIS/NA (2019). State of Academic Art Libraries 2019 Academic Library Division Report. https://assets.noviams.com/novi-file-uploads/arlisna/pdfs-anddocuments/research_and_reports/ARLISNA_Report_StateOfAcademicArtLibraries2019.pdf 

Bedord, J. (2018). Where Can You Work with an MLIS? Extending Your Career Reach. In K. Haycock & M.J. Romaniuk (Eds.), The portable MLIS: Insights from the experts. Libraries Unlimited.

Costello, L. (2017). Academic Libraries. Evaluating Demand-Driven Acquisitions, 93-111. https://doi.org/10.1016/B978-0-08-100946-8.00008-9 

Hirsh, S. (Ed.). (2022). Information services today: An introduction. Rowman & Littlefield Publishers, Incorporated. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/sjsu/detail.action?docID=6891082 

Kazmierczak, A. (2019). Museum librarianship: A Cross-discipline and Cross-institutional Model of Librarianship. The Historic New Orleans Collection and the Case for Successful Museum Librarians on Duty. Codex (2150-086X), 5(2).

Society of American Archivists. (2023). What Are Archives and How Do They Differ from Libraries? Using Archives: A Guide to Effective Research. https://www2.archivists.org/usingarchives/whatarearchives